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Adaptation
CRITICS OF "Adaptation"
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Suite101.com
Resource

September 25, 2010

At all times, "Adaptation." carries the thrillingly unpredictable charge of a film writing itself before your eyes. Spike Jonze matches Charlie Kaufman's tumble through time, neuroticism, fact and fiction with depictions of creation at a cellular level.
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Atlanta Journal-Constitution

April 27, 2003

It's the sort of movie that keeps reinventing itself and nudging us in the ribs as it does. You'll want to see it soon, because everyone you know will be talking about it.
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Washington Post
Resource

December 20, 2002

Adaptation may not be the first movie to examine the creative process. But it's the most playfully brilliant.
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Common Sense Media
Resource

September 02, 2010

Adult stuff only but hilarious and fresh.
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Fat Guys at the Movies
Resource

January 10, 2016

unique
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Time Out
Resource

June 24, 2006

For two-thirds of its running time the film is close to genius. But there's still no third act.
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New York Magazine/Vulture

January 16, 2003

Few recent movies have conveyed so forcefully how people can feel shut out by their own lack of passion, how they yearn to end the emptiness.
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Matt's Movie Reviews
Resource

December 29, 2010

A fine accomplishment from all involved, especially Charlie Kauffman, who has written a bewildering and captivating movie, which bares his mind, heart and soul.
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Film4
Resource

March 13, 2009

Adaptation would all be insufferably clever-clever were its motivation not so genuine. Instead it is experimental, funny, with a tightly-repressed anger and a desire to dig out truth rather than take refuge in the usual artifice.
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Orlando Sentinel

January 09, 2003

One-of-a-kind near-masterpiece.
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EmanuelLevy.Com
Resource

December 30, 2009

An impressive follow-up to Being John Malkovich, Adaptation is even more playful, amusing, metanarrative and metaphysical than Jonze's first film, plus it has Nicolas Cage in a dual role and Meryl Streep in one of her wildest turns.
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Houston Chronicle

January 10, 2003

Mired in the inertia of Charlie's writer's block, as if the real Kaufman never found his own passion for the material.
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