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Marvin's Room
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Marvin's Room
CRITICS OF "Marvin's Room"
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Film4
Resource

February 08, 2010

At times attractive, at other times dull.
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Washington Post
Resource

February 08, 2010

It's all plinky-plink pianos and mewing oboes, trying to jerk those tears a little too hard. No, a lot too hard. The music is awful. Stupendously bad.
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San Francisco Chronicle
Resource

June 18, 2002

Any movie with Meryl Streep is an occasion, but when you add Diane Keaton, Robert De Niro, Leonardo DiCaprio, Hume Cronyn and Gwen Verdon, you've got an embarrassment of riches.
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Reeling Reviews
Resource

April 09, 2005

Its an actor's/writer's movie, but, oh, what acting and writing
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Film Geek Central
Resource

May 02, 2013

Great work from Dicaprio, De Niro, and especially Streep certainly make the film watchable, but it still can't save it from feeling like a TV movie of the week. If you're a fan of melodrama... and over 60, then you'll find much to like.
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Chicago Reader
Resource

February 08, 2010

The performances are overwhelmed by cinematography so gorgeous and distracting it makes the drama seem like just so much wheel spinning.
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Variety

December 26, 2006

Based on a play by Scott McPherson's who died of AIDS, it's impossible to watch the well-acted film (particularly Diane Keaton, who should get an Oscar nod) without thinking of its themees: the various approaches to love and the strength of family bonds
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TV Guide
Resource

February 08, 2010

Keaton is given a rare opportunity here to remind us that she's not simply a fine comedienne, and she's marvelous.
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Spirituality and Practice
Resource

July 12, 2003

Zany and emotionally-affecting story about death, aging parents, reconciliation, and the healing power of selfless love.
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New York Times

May 20, 2003

Powerhouse casting and a heartbreaking history make the screen version of Marvin's Room more memorable than it otherwise would be.
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Kansas City Kansan

October 23, 2004

Slow, depressing family drama finely acted
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Time Out
Resource

June 24, 2006

Streep gives her most credible blue-collar performance to date; Keaton sidesteps saintliness to mix vulnerability and small heroics.
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