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Morning Glory
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DIRECTORS OF "Morning Glory"
Morning Glory
CRITICS OF "Morning Glory"
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Philadelphia Weekly

May 03, 2015

A cut above the usual rom-com tripe while remaining several notches below the caliber of talent involved.
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Wall Street Journal
Resource

November 11, 2010

This production is a mess for many reasons, most of them having to do with its frantic efforts to be funny.
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Chicago Reader
Resource

November 11, 2010

McAdams is typically effervescent here, but she can't rescue this weak comedy.
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Big Hollywood
Resource

January 06, 2013

It's hard not to have fun at this delightful comedy which features strong performances from McAdams, Ford and Keaton.
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Movie Talk
Resource

September 05, 2016

The perky heroine played by Rachel McAdams.... is so bright-eyed and bushy-tailed she probably showers with caffeinated soap.
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New Yorker

November 22, 2010

Everything in this movie, written by Aline Brosh McKenna and directed by Roger Michell, seems way off.
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Rolling Stone
Resource

November 11, 2010

Morning Glory is a tart, terrific comedy that gives Harrison Ford his best and funniest role in years.
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Hot Press
Resource

March 11, 2016

Director Roger Mitchell and the great cast bring so much energy and humour to Morning Glory that it becomes an enjoyable, if completely unaffecting, piece of escapist fluff - just like good breakfast television.
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Digital Spy
Resource

July 14, 2011

Behind the frivolity of this rom-com also lurks a serious theme about the importance of proper old-school journalism.
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Chicago Sun-Times
Resource

November 11, 2010

Has moments of sparkle, but the screenplay disappoints and the luminous Rachel McAdams overdoes it.
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American Profile
Resource

September 26, 2011

Watching McAdams juggle all the pieces provides much of the laughs, but both Keaton and Ford get some positively hilarious traction as Colleen and Mike clash on the air and compete for the spotlight.
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AV Club
Resource

November 11, 2010

The message of Morning Glory -- that austere TV journalists could stand to lighten up a bit -- may be dubious, but Michell and his cast sell it persuasively.
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