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Nosferatu the Vampyre
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Nosferatu the Vampyre
CRITICS OF "Nosferatu the Vampyre"
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The Spectator
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June 01, 2015

Worth seeing for the visuals, then, but minor Herzog.
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Time Out
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November 17, 2011

This is a pinnacle of horror cinema: atmospheric, rhapsodic and -- especially in the slow-burn confrontations between Lucy and her otherworldly inamorato -- achingly transcendent.
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New York Times

May 09, 2005

It's funny without being silly, eerie without being foolish and uncommonly beautiful in a way that has nothing to do with mere prettiness.
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Total Film
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October 14, 2014

Madness and death hang over Herzog's Wagner-scored vision like a black cloud, while Kinski adds much poignancy to Dracula, the lonely immortal.
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Daily Dead
Resource

January 07, 2016

An evocative exercise in alienation and existential dread, Herzog masterfully tackles one of the greatest gothic stories ever with Nosferatu the Vampyre with the unforgettable (as always) Klaus Kinski as the titular blood-sucker.
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Chicago Sun-Times
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November 24, 2011

To say of someone that they were born to play a vampire is a strange compliment, but if you will compare the two versions of Nosferatu you might agree with me that only Kinski could have equaled or rivaled Max Schreck's performance.
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Village Voice
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October 29, 2008

Between the hordes of stowaway rats that accompany Dracula's arrival, and a town-plaza dance of folly by doomed survivors (a Herzog addition), it's like being present at the birth of a medieval legend.
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Times (UK)
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September 22, 2015

It's a curious mix: at times deliriously hammy, at others melancholy, contemplative and oddly beautiful.
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Movie Dearest
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May 16, 2014

Herzog, cinematographer Jorg Schmidt-Reitwein and production designer Henning von Gierke conjure a near-endless stream of arresting images.
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Time Out
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January 26, 2006

There's a grey, plodding quality to the film which sidesteps oppressive, doom-laden inevitability and goes straight to slightly dull.
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The Robot's Voice
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May 18, 2014

Nosferatu is at least as much a tribute to surrealist pioneer Luis Bunuel as it is to Murnau.
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Chicago Reader
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September 21, 2007

The acting is too eccentric and the narrative drive too weak to satisfy fans of the genre, but Herzog's admirers will find much in the film's animistic landscapes and clusters of visionary imagery.
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