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Rushmore
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Rushmore
CRITICS OF "Rushmore"
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Baltimore Sun
Resource

March 17, 2014

Despite cute moments, nothing about Rushmore begs to be liked, which makes this modest comedy all the more satisfying.
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Washington Post
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March 17, 2014

Rushmore is an almost indefinable genre of its own. A comedy with a menacing edge? An ironic romance? Hard to call. Anderson, the director and co-writer, and Wilson, co-writer, have a vision like no one else's.
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Philadelphia Inquirer
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March 17, 2014

There's a danger of overselling Anderson's sweet-hearted, loony little fantasy, but everything -- from the soundtrack of '60s Brit bands with their jangly anthems of angsty love to Robert Yeoman's slightly hyper-real photography -- fits perfectly.
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People Magazine

March 17, 2014

A gloriously inventive little comedy about the scholastic and romantic woes of a 15-year-old student at a private academy.
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Guardian
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March 17, 2014

Rushmore offers more than simply a series of high-grade yuks; it's a finely-judged parable on the line between self-delusion and reality.
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New Yorker
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March 17, 2014

Schwartzman is cautious but stubbornly optimistic, while Murray is possessed by the mania of near-despair... They make the best and most disconcerting odd couple that American movies have produced in a long while.
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New York Post
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March 17, 2014

A quirky, sometimes hilarious and often touching comic fable.
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Christian Science Monitor
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March 17, 2014

Anderson fulfills the promise of his inventive Bottle Rocket with this quirky, often hilarious comedy, and Murray gives his most uproarious performance since the groundbreaking Groundhog Day.
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Metro Times (Detroit, MI)
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March 17, 2014

It's somehow fitting that in this Maxcentric universe, Rushmore exists as a satirical comedy, full of dry wit and adolescent absurdities, and a bittersweet valentine to manipulative misfits who actually find the love they deserve.
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Orlando Sentinel
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March 17, 2014

If happiness is finding something you love to do and doing it forever, one of my somethings might just be watching this oddly uproarious little flick.
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Spokesman-Review (Washington)
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March 17, 2014

Just when you expect the film to do something normal, it takes off like Murray -- riffing on reality as only he, and filmmaker Anderson, can.
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Seattle Times
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March 17, 2014

There's an unshakable confidence about this coming-of-age fable that matches that of its central character, Max Fischer.
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