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CREATORS OF "Shark Night"
Shark Night
CRITICS OF "Shark Night"
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Cinema Sight
Resource

March 21, 2013

Predictable. Disposable. Listless. Boring. This is not how you make great horror films.
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Boston Globe

September 05, 2011

A second round is out of the question. Unless, of course, they called it "Gladys Knight 3D.'' Then all is forgiven.
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AV Club
Resource

September 02, 2011

It doesn't even live up to the minimal promises of the title: There isn't enough shark action, it mostly takes place during the day, and the 3-D only asserts itself in a couple of shots.
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Georgia Straight
Resource

February 15, 2013

The most disturbing sequence comes after the end credits, actually, when the actors are shown performing together on a really bad rap video.
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Trespass
Resource

September 08, 2013

When I wasn't laughing at the scenes of sharks leaping out of the water to attack their prey (in trees! on jetskis!) I was questioning the happy coincidence of a runaway motorboat heading directly towards a pier littered with flammable gas tanks.
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Village Voice
Resource

September 07, 2011

Shark Night, handled with impersonality by Snakes on a Plane pilot David R. Ellis, aspires to nothing more or less than carrying along an audience through a string of unremarkable kills, often involving high-jumping fish.
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Toronto Star
Resource

September 05, 2011

The sharks are rubber and the performances are wooden and that's just about all you need to know.
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Big Hollywood
Resource

June 30, 2013

An atrocious waste of time, this "Night" is one you'll quickly forget.
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TheMovieReport.com
Resource

April 06, 2012

Never mind that the film is never scary; it also is never much *fun*.
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Los Angeles Times
Resource

September 02, 2011

Sharks have it bad enough as endangered, misunderstood predators with a terrible public relations image without seeing their serial-killing stardom drowned out by hammy acting and torture-porn villainy.
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Cinema Crazed
Resource

November 16, 2012

This clearly isn't a film that wants to win awards for logic, so it dives head first in to just pure idiocy, and never comes back up for air.
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New York Times

September 03, 2011

The result is a movie that isn't crummy, exactly, just blah: when the freakiest teeth on screen belong not to one of Walt Conti's animatronically realized sharks but to a good-ol'-boy called Red, you know you have a problem.
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