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Thirteen Ghosts
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Thirteen Ghosts

Description
When Cyrus Kriticos dies, he leaves everything behind to his heirs. Cyrus is a very rich man, and after his death he left everything to his nephew and his family, including his home, his wealth, and his evil group of ghosts. The family begins to adapt to its new home, but everything seems strange. Perhaps this house will be haunted. There is a strange turn of the walls, and there are powerful and repulsive entities that threaten to exterminate anyone on their way in and out of that house, which is frightening everywhere.
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DIRECTORS OF "Thirteen Ghosts"
Thirteen Ghosts
CRITICS OF "Thirteen Ghosts"
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Cinema Crazed
Resource

April 29, 2009

Still entertaining in spite of its number of faults.
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Entertainment Weekly
Resource

December 06, 2001

The drop-dead fact is, this ornate but eerily unspooky production is designed by Hollywood vampires and powered by demographics.
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Georgia Straight
Resource

February 07, 2014

A more fitting tribute to William Castle would have been to create a horror flick you could sit through without consistently squirming in abject loathing.
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Bangor Daily News (Maine)
Resource

August 05, 2007

There isn't enough dry ice in the world to conceal the rot of stupidity hovering over "13 Ghosts." With Embeth Davidtz and Matthew Lillard both overacting to a lower power in supporting roles, there apparently also aren't enough acting coaches.
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Mountain Xpress (Asheville, NC)
Resource

May 27, 2013

It's junk, too, and while maybe it's not as much fun as the original, neither does it disgrace its parent.
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Globe and Mail
Resource

March 22, 2002

By any objective accounting, Thirteen Ghosts is exactly a baker's dozen too many -- this is a zero of a film.
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Mr. Showbiz
Resource

October 26, 2001

A nicely nasty Halloween treat.
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Common Sense Media
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August 26, 2010

Brutally violent horror remake is a huge waste.
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San Francisco Chronicle
Resource

October 26, 2001

A B-grade horror picture seems to be a B-grade horror picture no matter how many studio bucks and digital effects you throw at it.
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eFilmCritic.com
Resource

March 19, 2003

Like the huge glass house that serves as its centerpiece, the film is shiny, sterile, bland, vacuous, and completely pointless.
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Seattle Times
Resource

October 26, 2001

Clever one-liners supplant the lack of frights with cackling -- which you might as well do since, by the end of the movie, it's clear that the joke's on you.
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